By David Paroissien
A spouse to Charles Dickens concentrates at the ancient, ideological, and social forces that outlined Dickens’s global.
- Puts Dickens’s paintings into its literary, old, and social contexts
- Traces the improvement of Dickens’s occupation as a journalist and novelist
- Includes unique essays by way of top Dickensian students on each one of Dickens’s fifteen novels
- Explores a huge diversity of themes, together with criticisms of his novels, using background and legislations in his fiction, language, and the impression of political and social reform
- Examines Dickens's legacy and surveys the mass of secondary fabrics that has been generated in reaction and reverence to his writing
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Additional resources for A Companion to Charles Dickens
That was all I had to say about it” (ch. 4). Isolation and abuse lead to his withdrawal into a scholar’s life of unutterable humility. George Silverman even scrupulously diverts his loving pupil’s affection to one of her peers, but he suffers in consequence both emotionally and professionally. His only relief is in this writing: one where his exculpation from the unjust charge of impropriety remains merely implicit. In an astonishingly provocative textual procedure, the whole tale therefore repeats the obstructions of its opening two chapters – the first seven lines long, and the next ten – which begin identically: The Autobiographical Fragment 29 It happened in this wise: — But, .
John Forster is the pre-Freudian commentator who begins to enquire “In what way those strange experiences of his boyhood affected him afterwards,” with reference to “the narrative of his life” (bk. 1, ch. ” How that acute but imperfect analysis operated in Dickens’s oeuvre now becomes the question. Steven Marcus argues that the fragment “figures in some central way in every novel [Dickens] ever wrote; and we cannot understand the creative thrust of his life without taking into account his developing attitudes towards this episode, as we find them successively transmuted in novel after novel” (Marcus 1965: 363).
An employment history provides the skeleton of Dickens’s autobiographical fragment, but not its haunting power. What drives the revelations of the document as a confession are two forms of exposure: the social shame of common work and the personal bitterness of familial abandonment and betrayal. What animates it as a personal history is the opportunity that conjunction of exposures creates: a catastrophic, but liberating, initiation into experience as a child alone in the city. It is an intensely egocentric account, class-bound to the point of snobbery, and self-pitying: the parents’ misfortunes providing the context for the child’s sufferings, and the siblings’ stories subordinated to his own.
A Companion to Charles Dickens by David Paroissien